Michael Lieberman 2010

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Michael lives in Brooklyn, NY. Follow him on Twitter @michaelagrammar or at tooearlytoolate.tumblr.com

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Best Feature-Length Film
1. Eccentricities of a Blonde-Haired Girl
2. Ne Change Rien
3. Another Year
4. Our Beloved Month of August
5. Flooding with Love for the Kid
6. The Social Network
7. Around a Small Mountain
8. The Anchorage
9. Everyone Else 
10. Wild Grass

Best Lead Performance, Male
1. Zachary Oberzan, Flooding with Love for the Kid
2. Edgar Ramirez, Carlos
3. Jesse Eisenberg, The Social Network
4. Jim Broadbent, Another Year
5. Ricardo Trepa, The Strange Case of Angelica

Best Lead Performance, Female
1. Jeanne Balibar, Ne Change Rien
2. Ruth Sheen, Another Year
3. Natalie Portman, Black Swan
4. Birgit Minchmayr, Everyone Else
5. Jane Birkin, Around a Small Mountain 

Best Supporting Performance, Male
1. Justin Timberlake, The Social Network
2. Andrew Garfield, The Social Network
3. Pierce Brosnan, The Ghost Writer
4. John Hawkes, Winter’s Bone
5. Paul Reubens, Life During Wartime

Best Supporting Performance, Female
1. Lesley Manville, Another Year
2. Olivia Williams, The Ghost Writer
3. Greta Gerwig, Greenberg
4. Jemima Kirke, Tiny Furniture 
5. Laurie Simmons, Tiny Furniture

Best Direction
1. Manoel de Oliveira, Eccentricities of a Blonde-Haired Girl
2. Pedro Costa, Ne Change Rien
3. David Fincher, The Social Network
4. Miguel Gomes, Our Beloved Month of August
5. Mike Leigh, Another Year

Best Screenplay
1. Mike Leigh, Another Year
2. Aaron Sorkin, The Social Network
3. Robert Harris, The Ghost Writer
4. Dan Franck, Carlos
5. Lena Dunham, Tiny Furniture

Best Cinematography
1. Pedro Costa, Ne Change Rien
2. Rui Pocas, Our Beloved Month of August
3. Pawel Edelman, The Ghost Writer
4. Jody Lee Lipes, Tiny Furniture
5. Dick Pope, Another Year

Best Editing
1. Kirk Baxter & Angus Wall, The Social Network
2. Luc Barnier & Marion Monnier, Carlos
3. Telmo Churro & Miguel Gomes, Our Beloved Month of August
4. Heike Parplies, Everyone Else
5. Patricia Saramago, Ne Change Rien

Best Music
1. Ne Change Rien
2. Our Beloved Month of August
3. Carlos
4. Wah Do Dem
5. Somewhere

Best Cinematic Moment
1.  The financial crisis - The Strange Case of Angelica
2.  Johnny Guitar - Ne Change Rien
3. "To All the Girls I've Loved Before" - Everyone Else
4. Smoking with kids around - Another Year
5. Refresh - The Social Network
6. Obama wins the election - Wah Do Dem
7. Last scene - Tiny Furniture
8. A little dance - Eccentricities of a Blonde-Haired Girl
9. The long goodbye - Around a Small Mountain
10. The last shot - The Ghost Writer

Best Cinematic Breakthrough
1. Miguel Gomes, Our Beloved Month of August
2. Zachary Oberzan, Flooding with Love for the Kid
3. Anders Endstrom & C.W. Winter, The Anchorage
4. Ben Chace & Sam Fleischner, Wah Do Dem
5. Lena Dunham, Tiny Furniture 

Best Body of Work
1. Manoel de Oliveira, Eccentricities of a Blonde-Haired Girl & The Strange Case of Angelica
2. Jody Lee Lipes, Tiny Furniture & NY Export: Opus Jazz
3. Ricardo Trepa, Eccentricities of a Blonde-Haired Girl & The Strange Case of Angelica
4. Ewan McGregor, The Ghost Writer & I Love You Philip Morris
5. Michael Fassbender, Fish Tank & Jonah Hex

Best Ensemble Performance
1. Another Year
2. The Social Network
3. Carlos
4. Greenberg
5. Our Beloved Month of August

Best Web-Based Criticism

10th Anniversary Award, Best Feature Film 2000
1. La Commune (Paris, 1871)
2. Yi Yi
3. The House of Mirth
4. Werckmeister Harmonies
5. In the Mood for Love

25th Anniversary Award, Best Feature Film 1985
1. Shoah 
2. Lost in America
3. After Hours
4. A Time to Live and a Time to Die
5. Come and See

50th Anniversary Award, Best Feature Film 1960
1. Sergeant Rutledge
2. Breathless
3. Les Bonnes Femmes
4. L’Avventura
5. Peeping Tom

Special Award: Best Film of the 1950s
All That Heaven Allows
Johnny Guitar 
A Man Escaped
Mr. Hulot’s Holiday 
Rio Bravo
The River  
Sansho The Bailiff
Stars In My Crown
Vertigo 
Will Success Spoil Rock Hunter?
[Alphabetically ranked, since it was impossible for me to narrow down one of the richest decades in cinema any further.]

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